New Perspectives: Meet Photographer Pamela Z. Daum

Written by Artie The Panda

Pamela Z. Daum calls herself an introvert, but you might not guess it from her sense of humor and willingness to explore new places. For example, she once documented a crew of journalists covering the Baja 1000, a prestigious off-road race. There she was, in the desert in the dead of night, photographing drivers at pitstops. To her, it was pure pleasure.

Surreal Spectrum

“Part of my journey in photography has been to open myself to new perspectives and horizons,” Pamela says. That journey has inspired several series, including Reborn in Florida, Land of Enchantment, and Life Is a Beach. These images capture the drama of the natural environment, going beyond the visible spectrum with her converted digital camera that shoots black-and-white infrared.

Parks, Frames, and Zombies

Pamela’s photograph featured above is titled “Isle Royale #47.” It’s from her National Parks Series, which is on hiatus due to the pandemic. For many years, Pamela says she has purchased our slim black Metal Profile 11 frames to exhibit her work. “I can always trust my order will be accurate, on time, and packaged well enough to survive a zombie apocalypse or a careless shipping company, whichever comes first.” Haha, Pamela — we’ll take the latter over the former if we have a choice!

See More of Pamela’s Work

You can explore Pamela’s portfolio at pamelazdaum.com, on Instagram, or on Facebook. In my Q&A below, she shares the connection between her gear and her personality, the tool she finds most vital, and her latest photography journey.

Now for Artie’s Eight Q&A with Pamela Z. Daum

1. What is your background; how did you get started?
I started photographing in high school as a documentary of my experience being an exchange student in Spain. In college, I studied the fine art of photography in earnest.

2. How important is it for a photographer to "connect" with their subject?
Most of my work is in landscape photography, so this isn't an issue. However, for about five years, local chapters of American Kennel Club requested that I take photos of dogs competing in obedience and agility events. I’m totally a dog person, so capturing images that truly represent the essence of the proud owners’ dogs was important, and I had to connect to each pet to accomplish that.

3. What has been a formative experience or the best advice you’ve received within your career?
Don't be afraid to express yourself in new or unique ways.

4. In what ways does your work reflect your personality?
My prime lens is 28mm, leaving a lot of distance between me and my subject. I'm an introvert.

5. Creative blocks, do you get them? If so, how do you overcome them?
I don't usually suffer from creative blocks. I work in several creative mediums, which allows me to stay fluid.

6. What is your most indispensable tool? (Not counting the obvious, like paints, brushes, canvas, camera, etc.)
I think any artist's most indispensable tool is their personal eye. As an instructor, I've had students photograph the same subject or area. Not once have I encountered a duplicate image because we all see things differently.

7. Do you have a new project you are working on, or a new passionate idea?
I have several ongoing series of photographs. One of my series, Same Scene Different Day — or “SSDD” — is the daily record of my view from my back door. I like the continuum of documenting how seasons and light change the images.

8. What "fad" gadget do you most regret purchasing?
I've been a photographer long enough that I don't fall into the trap of buying the latest and greatest new gadget. It's not so much about the equipment, it's about one's eye.

All artwork and/or photographs used in this post are subject to copyright held by the featured artist.

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Last Updated October 20, 2021